{"id":1887,"date":"2018-05-15T11:12:32","date_gmt":"2018-05-15T09:12:32","guid":{"rendered":"http:\/\/bd-chroniques.be\/?p=1887"},"modified":"2018-05-15T11:12:32","modified_gmt":"2018-05-15T09:12:32","slug":"william-vance-la-disparition-dun-des-grands-de-la-bande-dessinee-classique","status":"publish","type":"post","link":"https:\/\/bd-chroniques.be\/index.php\/2018\/05\/15\/william-vance-la-disparition-dun-des-grands-de-la-bande-dessinee-classique\/","title":{"rendered":"William Vance : la disparition d&rsquo;un des grands de la bande dessin\u00e9e classique !&#8230;"},"content":{"rendered":"<div class=\"rtbf-paragraph\">\n<p>A 82\u00a0ans, William Vance vient de tirer sa r\u00e9v\u00e9rence et de rejoindre dans l\u2019ailleurs quelques-uns des personnages embl\u00e9matiques n\u00e9s sous ses pinceaux et ses plumes\u2026<\/p>\n<\/div>\n<div class=\"rtbf-paragraph  clearfix\" style=\"text-align: center;\">\n<figure class=\"www-media custom_large www-media--last js-gallery-figure\"><a id=\"image-9388586\" class=\"www-media-fullscreen js-gallery-image\" href=\"https:\/\/i0.wp.com\/ds1.static.rtbf.be\/article\/image\/1240x800\/b\/9\/5\/d6507101a3a36243008c6b649069aea9-1526362759.jpg?ssl=1\" target=\"_blank\" rel=\"noopener\" data-id=\"9388586\"> <img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"img-responsive www-img-full  lazyloaded aligncenter\" title=\"Bruno Brazil\" src=\"https:\/\/i0.wp.com\/ds1.static.rtbf.be\/article\/image\/370xAuto\/b\/9\/5\/d6507101a3a36243008c6b649069aea9-1526362759.jpg?resize=768%2C937&#038;ssl=1\" sizes=\"auto, (min-width: 1200px) calc(992px*0.66), (min-width: 992px) 66vw, 100vw\" srcset=\"https:\/\/ds1.static.rtbf.be\/article\/image\/370xAuto\/b\/9\/5\/d6507101a3a36243008c6b649069aea9-1526362759.jpg 370w,https:\/\/ds1.static.rtbf.be\/article\/image\/770xAuto\/b\/9\/5\/d6507101a3a36243008c6b649069aea9-1526362759.jpg 770w,https:\/\/ds1.static.rtbf.be\/article\/image\/1248xAuto\/b\/9\/5\/d6507101a3a36243008c6b649069aea9-1526362759.jpg 1248w\" alt=\"Bruno Brazil\" width=\"768\" height=\"937\" data-sizes=\"(min-width: 1200px) calc(992px*0.66), (min-width: 992px) 66vw, 100vw\" data-srcset=\"https:\/\/ds1.static.rtbf.be\/article\/image\/370xAuto\/b\/9\/5\/d6507101a3a36243008c6b649069aea9-1526362759.jpg 370w,https:\/\/ds1.static.rtbf.be\/article\/image\/770xAuto\/b\/9\/5\/d6507101a3a36243008c6b649069aea9-1526362759.jpg 770w,https:\/\/ds1.static.rtbf.be\/article\/image\/1248xAuto\/b\/9\/5\/d6507101a3a36243008c6b649069aea9-1526362759.jpg 1248w\" \/> <\/a><figcaption class=\"www-media-caption\"><em><span class=\"www-media-caption__text\">Bruno Brazil &#8211; \u00a9 Le Lombard<\/span><\/em><\/figcaption><figcaption><\/figcaption><figcaption class=\"www-media-caption\"><\/figcaption><figcaption><\/figcaption><\/figure>\n<p style=\"text-align: left;\">C\u2019est au tout d\u00e9but des ann\u00e9es 60 que William Vance a entam\u00e9 sa carri\u00e8re, dans les pages du journal Tintin, avec essentiellement des histoires compl\u00e8tes historiques, souvent sc\u00e9naris\u00e9es par Duval, un peu comme ce qui existait chez le concurrent Spirou avec les histoires de l\u2019Oncle Paul.<\/p>\n<p style=\"text-align: left;\">C\u2019est en se frottant ainsi \u00e0 des formats courts que William Vance, tr\u00e8s vite, a abandonn\u00e9 un style qui attachait trop d\u2019importance au d\u00e9tail pour s\u2019int\u00e9resser \u00e0 la construction de ses planches, \u00e0 la mise en \u00e9vidence de ses personnages. Et c\u2019est ainsi qu\u2019est\u00a0n\u00e9 en 1965 Ringo, un western qui montrait un h\u00e9ros burin\u00e9, avec toutes les caract\u00e9ristiques du cow-boy aventurier, se baladant dans des paysages dont la cr\u00e9ation permettait de d\u00e9couvrir tout le talent graphique de Vance.<\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<div class=\"rtbf-paragraph  clearfix\" style=\"text-align: center;\">\n<figure class=\"www-media custom_large www-media--last js-gallery-figure\"><a id=\"image-9388587\" class=\"www-media-fullscreen js-gallery-image\" href=\"https:\/\/i0.wp.com\/ds1.static.rtbf.be\/article\/image\/1240x800\/a\/0\/8\/02c9475372461dcb751fbd21323db823-1526362922.jpg?ssl=1\" target=\"_blank\" rel=\"noopener\" data-id=\"9388587\"> <img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"img-responsive www-img-full  lazyloaded aligncenter\" title=\"Howard Flynn\" src=\"https:\/\/i0.wp.com\/ds1.static.rtbf.be\/article\/image\/370xAuto\/a\/0\/8\/02c9475372461dcb751fbd21323db823-1526362922.jpg?resize=768%2C1009&#038;ssl=1\" sizes=\"auto, (min-width: 1200px) calc(992px*0.66), (min-width: 992px) 66vw, 100vw\" srcset=\"https:\/\/ds1.static.rtbf.be\/article\/image\/370xAuto\/a\/0\/8\/02c9475372461dcb751fbd21323db823-1526362922.jpg 370w,https:\/\/ds1.static.rtbf.be\/article\/image\/770xAuto\/a\/0\/8\/02c9475372461dcb751fbd21323db823-1526362922.jpg 770w,https:\/\/ds1.static.rtbf.be\/article\/image\/1248xAuto\/a\/0\/8\/02c9475372461dcb751fbd21323db823-1526362922.jpg 1248w\" alt=\"Howard Flynn\" width=\"768\" height=\"1009\" data-sizes=\"(min-width: 1200px) calc(992px*0.66), (min-width: 992px) 66vw, 100vw\" data-srcset=\"https:\/\/ds1.static.rtbf.be\/article\/image\/370xAuto\/a\/0\/8\/02c9475372461dcb751fbd21323db823-1526362922.jpg 370w,https:\/\/ds1.static.rtbf.be\/article\/image\/770xAuto\/a\/0\/8\/02c9475372461dcb751fbd21323db823-1526362922.jpg 770w,https:\/\/ds1.static.rtbf.be\/article\/image\/1248xAuto\/a\/0\/8\/02c9475372461dcb751fbd21323db823-1526362922.jpg 1248w\" \/> <i class=\"ico ico-circle ico-stack-2x www-media-enlarge__bg\"><\/i> <i class=\"ico ico-expand ico-stack-1x ico-inverse www-media-enlarge__icon\"><\/i> <\/a><figcaption class=\"www-media-caption\"><em><span class=\"www-media-caption__text\">Howard Flynn &#8211; \u00a9 Le Lombard<\/span><\/em><\/figcaption><figcaption><\/figcaption><figcaption><\/figcaption><\/figure>\n<p style=\"text-align: left;\">Ensuite vinrent quelques s\u00e9ries qui, sans aucun doute, ont marqu\u00e9 l\u2019histoire de la bande dessin\u00e9e tous publics, certes, mais capable aussi d\u2019aborder des th\u00e8mes tr\u00e8s adultes, comme la compromission politique, les r\u00e9alit\u00e9s g\u00e9opolitiques des ann\u00e9es70 jusqu\u2019aux ann\u00e9es 2000\u00a0: \u00a0Bob Morane, bien s\u00fbr\u2026 Mais aussi l\u2019extraordinaire Bruno Brazil, sc\u00e9naris\u00e9 par Greg\u2026 Et puis la grande Histoire, avec Ramiro, et la marine, avec Howard Flynn\u2026<\/p>\n<p style=\"text-align: left;\">Et enfin, en 1984, il entame avec Treize sc\u00e9naris\u00e9 par Van Hamme une des s\u00e9ries les plus vendues qui soit, une longue saga d&rsquo;espionnage politico-polici\u00e8re-financi\u00e8re, avec des personnages \u00a0soucieux de pouvoir et d\u2019argent, et qui font bien \u00e9videment penser \u00e0 des politiciens connus, comme le clan Kennedy\u2026 Avec \u00e0 la\u00a0cl\u00e9 un succ\u00e8s public absolument d\u00e9mesur\u00e9, qu&rsquo;aurait sans doute m\u00e9rit\u00e9 \u00e9galement Bruno Brazil&#8230;<\/p>\n<\/div>\n<div class=\"rtbf-paragraph  clearfix\">\n<p style=\"text-align: left;\">William Vance ne dessinait plus depuis une petite dizaine d\u2019ann\u00e9es, atteint par la maladie de Parkinson. Je l\u2019ai rencontr\u00e9 \u00e0 Saint-Gilles, en compagnie d\u2019Henry Vernes, \u00e0 l\u2019occasion de l\u2019annonce d\u2019une fresque consacr\u00e9e \u00e0 Bob Morane, qui n\u2019a jamais \u00e9t\u00e9 faite d\u2019ailleurs. Et je me souviens d\u2019un homme discret, souriant, s\u2019effa\u00e7ant, en quelque sorte, derri\u00e8re ses albums, des albums qui, aujourd\u2019hui, sans aucun doute possible, forment une v\u00e9ritable \u0153uvre qui appartient totalement \u00e0 la grande Histoire d\u2019une bande dessin\u00e9e devenant, d\u00e8s les ann\u00e9es 60, de plus en plus adulte, dans ses th\u00e8mes comme dans ses graphismes\u2026.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Jacques Schra\u00fbwen<\/strong><\/p>\n<p>15 mai 2018<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>A 82\u00a0ans, William Vance vient de tirer sa r\u00e9v\u00e9rence et de rejoindre dans l\u2019ailleurs quelques-uns des personnages embl\u00e9matiques n\u00e9s sous ses pinceaux et ses plumes\u2026 Bruno Brazil &#8211; \u00a9 Le Lombard C\u2019est au tout d\u00e9but des ann\u00e9es 60 que William Vance a entam\u00e9 sa carri\u00e8re, dans les pages du journal Tintin, avec essentiellement des histoires [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1888,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[],"class_list":["post-1887","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-hommages-2"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/bd-chroniques.be\/wp-content\/uploads\/2018\/05\/da4e4804dfb812d037df29bb04685fdd-1526362693.jpg?fit=1248%2C701&ssl=1","jetpack_shortlink":"https:\/\/wp.me\/p8dqsu-ur","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/bd-chroniques.be\/index.php\/wp-json\/wp\/v2\/posts\/1887","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bd-chroniques.be\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bd-chroniques.be\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bd-chroniques.be\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bd-chroniques.be\/index.php\/wp-json\/wp\/v2\/comments?post=1887"}],"version-history":[{"count":1,"href":"https:\/\/bd-chroniques.be\/index.php\/wp-json\/wp\/v2\/posts\/1887\/revisions"}],"predecessor-version":[{"id":1889,"href":"https:\/\/bd-chroniques.be\/index.php\/wp-json\/wp\/v2\/posts\/1887\/revisions\/1889"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bd-chroniques.be\/index.php\/wp-json\/wp\/v2\/media\/1888"}],"wp:attachment":[{"href":"https:\/\/bd-chroniques.be\/index.php\/wp-json\/wp\/v2\/media?parent=1887"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bd-chroniques.be\/index.php\/wp-json\/wp\/v2\/categories?post=1887"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bd-chroniques.be\/index.php\/wp-json\/wp\/v2\/tags?post=1887"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}