{"id":453,"date":"2017-03-02T18:00:25","date_gmt":"2017-03-02T17:00:25","guid":{"rendered":"http:\/\/bd-chroniques.be\/?p=453"},"modified":"2017-03-02T18:00:25","modified_gmt":"2017-03-02T17:00:25","slug":"le-reseau-madou-une-superbe-reedition-et-une-belle-exposition-chez-champaka","status":"publish","type":"post","link":"https:\/\/bd-chroniques.be\/index.php\/2017\/03\/02\/le-reseau-madou-une-superbe-reedition-et-une-belle-exposition-chez-champaka\/","title":{"rendered":"Le R\u00e9seau Madou : une superbe r\u00e9\u00e9dition et une belle exposition chez Champaka!"},"content":{"rendered":"<div class=\"rtbf-paragraph\">\n<p>Un livre de 1982 enti\u00e8rement \u00a0\u00bb reconstruit \u00ab\u00a0, aujourd&rsquo;hui, expos\u00e9 aux cimaises d\u2019une galerie bruxelloise (Champaka), et qui m\u00e9rite assur\u00e9ment qu\u2019on s\u2019y attarde !<\/p>\n<\/div>\n<div class=\"rtbf-paragraph rs_skip rs_preserve\"><\/div>\n<div class=\"rtbf-paragraph  clearfix\">\n<figure class=\"www-media custom_large www-media--last js-gallery-figure\"><a id=\"image-9036285\" class=\"www-media-fullscreen js-gallery-image\" href=\"https:\/\/i0.wp.com\/ds1.static.rtbf.be\/article\/image\/1240x800\/c\/e\/5\/31a9544c5c5aefa0316a96c792d29983-1488374266.jpg?ssl=1\" target=\"_blank\" data-id=\"9036285\"><img data-recalc-dims=\"1\" decoding=\"async\" class=\"img-responsive www-img-full   lazyloaded\" title=\"Le r\u00e9seau Madou\" src=\"https:\/\/i0.wp.com\/ds1.static.rtbf.be\/article\/image\/370xAuto\/c\/e\/5\/31a9544c5c5aefa0316a96c792d29983-1488374266.jpg?w=768&#038;ssl=1\" sizes=\"(min-width: 1200px) calc(992px*0.66), (min-width: 992px) 66vw, 100vw\" srcset=\"https:\/\/ds1.static.rtbf.be\/article\/image\/370xAuto\/c\/e\/5\/31a9544c5c5aefa0316a96c792d29983-1488374266.jpg 370w,https:\/\/ds1.static.rtbf.be\/article\/image\/770xAuto\/c\/e\/5\/31a9544c5c5aefa0316a96c792d29983-1488374266.jpg 770w,https:\/\/ds1.static.rtbf.be\/article\/image\/1248xAuto\/c\/e\/5\/31a9544c5c5aefa0316a96c792d29983-1488374266.jpg 1248w\" alt=\"Le r\u00e9seau Madou\" data-sizes=\"(min-width: 1200px) calc(992px*0.66), (min-width: 992px) 66vw, 100vw\" data-srcset=\"https:\/\/ds1.static.rtbf.be\/article\/image\/370xAuto\/c\/e\/5\/31a9544c5c5aefa0316a96c792d29983-1488374266.jpg 370w,https:\/\/ds1.static.rtbf.be\/article\/image\/770xAuto\/c\/e\/5\/31a9544c5c5aefa0316a96c792d29983-1488374266.jpg 770w,https:\/\/ds1.static.rtbf.be\/article\/image\/1248xAuto\/c\/e\/5\/31a9544c5c5aefa0316a96c792d29983-1488374266.jpg 1248w\" \/><i class=\"ico ico-circle ico-stack-2x www-media-enlarge__bg\"><\/i><i class=\"ico ico-expand ico-stack-1x ico-inverse www-media-enlarge__icon\"><\/i><\/a><figcaption class=\"www-media-caption\"><em><span class=\"www-media-caption__text\">Le r\u00e9seau Madou &#8211; \u00a9 Alain Goffin<\/span><\/em><\/figcaption><\/figure>\n<p>\u00a0\u00bb Le R\u00e9seau Madou \u00ab\u00a0, c\u2019est d\u2019abord et avant tout un hommage, litt\u00e9raire et graphique, \u00e0 la fameuse \u00a0\u00bb Ligne Claire \u00ab\u00a0, celle de Jacobs surtout.<\/p>\n<p>Litt\u00e9raire, d\u2019abord, parce que Fran\u00e7ois Rivi\u00e8re agit ici en \u00e9crivain, en \u00e9crivain de roman policier \u00e0 l\u2019ancienne, ai-je envie de dire, \u00a0\u00bb \u00e0 l\u2019anglaise \u00ab\u00a0.<\/p>\n<p>Certes, sa narration subit d\u2019\u00e9videntes influences, que Fran\u00e7ois Rivi\u00e8re, par ailleurs, assume pleinement. Il y a une construction qui, parfois, rappelle certaines \u0153uvres de ce qu\u2019on a appel\u00e9 le nouveau roman. Il y a aussi une succession de plans qui appartient, elle, au monde cin\u00e9matographique.<\/p>\n<p>Graphiquement, il en va de m\u00eame, et on peut se demander, d\u2019ailleurs, \u00e0 certains moments, dans quelle mesure Alain Goffin a illustr\u00e9 le sc\u00e9nario de Fran\u00e7ois Rivi\u00e8re, ou, \u00e0 d\u2019autres moments, dans quelle mesure le sc\u00e9nariste a illustr\u00e9 de ses mots le d\u00e9coupage de son dessinateur.<\/p>\n<p>\u00a0\u00bb Le R\u00e9seau Madou \u00ab\u00a0, c\u2019est ensuite une histoire. Un r\u00e9cit parfaitement charpent\u00e9 d\u2019espionnage dans l\u2019imm\u00e9diate avant-guerre (1938). R\u00e9sumer cette histoire est impossible tant elle comprend de fausses pistes, d\u2019indices parsem\u00e9s tout au long des dessins, de rebondissements aussi. Le h\u00e9ros de cet album, dans la plus pure tradition de la bande dessin\u00e9e pour la jeunesse, est un jeune scout, Thierry Laudacieux. Le propos, lui, est plus adulte, incontestablement, tout en respectant toutes les r\u00e8gles \u00a0\u00bb tous publics \u00a0\u00bb ch\u00e8res aux tenants de La Ligne Claire\u2026<\/p>\n<p>Par contre, ce qu\u2019il faut souligner, c\u2019est que cet album est une v\u00e9ritable \u00a0\u00bb re-cr\u00e9ation \u00a0\u00bb de l\u2019original. On peut parler de \u00a0\u00bb remast\u00e9risation \u00ab\u00a0, \u00e0 tous les niveaux, et le r\u00e9sultat en valait la peine ! Dois toil\u00e9, rendu des traits et des images d\u2019une nettet\u00e9 exemplaire, tout est fait, r\u00e9ellement, pour que tenir ce livre entre les mains et le lire participent d\u2019un vrai plaisir.<\/p>\n<h4 class=\"audio-player__title\">Fran\u00e7ois Rivi\u00e8re: le sc\u00e9nario et les influences&#8230;<\/h4>\n<audio class=\"wp-audio-shortcode\" id=\"audio-453-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/bd-chroniques.be\/wp-content\/uploads\/2017\/03\/nVQncS8JHA.mp3?_=1\" \/><a href=\"http:\/\/bd-chroniques.be\/wp-content\/uploads\/2017\/03\/nVQncS8JHA.mp3\">http:\/\/bd-chroniques.be\/wp-content\/uploads\/2017\/03\/nVQncS8JHA.mp3<\/a><\/audio>\n<h4 class=\"audio-player__title\">Alain Goffin: le sc\u00e9nario et le re-cr\u00e9ation&#8230;<\/h4>\n<div class=\"rtbf-article-main__audio\">\n<audio class=\"wp-audio-shortcode\" id=\"audio-453-2\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/bd-chroniques.be\/wp-content\/uploads\/2017\/03\/qI5Z1eo2NL.mp3?_=2\" \/><a href=\"http:\/\/bd-chroniques.be\/wp-content\/uploads\/2017\/03\/qI5Z1eo2NL.mp3\">http:\/\/bd-chroniques.be\/wp-content\/uploads\/2017\/03\/qI5Z1eo2NL.mp3<\/a><\/audio>\n<\/div>\n<div class=\"rtbf-article-main__audio\"><\/div>\n<\/div>\n<div class=\"rtbf-paragraph  clearfix\">\n<figure class=\"www-media custom_large www-media--last js-gallery-figure\"><a id=\"image-9036286\" class=\"www-media-fullscreen js-gallery-image\" href=\"https:\/\/i0.wp.com\/ds1.static.rtbf.be\/article\/image\/1240x800\/f\/7\/d\/215da737505e6b0bf418a9788893f997-1488374366.jpg?ssl=1\" target=\"_blank\" data-id=\"9036286\"><img data-recalc-dims=\"1\" decoding=\"async\" class=\"img-responsive www-img-full   lazyloaded\" title=\"Le r\u00e9seau Madou\" src=\"https:\/\/i0.wp.com\/ds1.static.rtbf.be\/article\/image\/370xAuto\/f\/7\/d\/215da737505e6b0bf418a9788893f997-1488374366.jpg?w=768&#038;ssl=1\" sizes=\"(min-width: 1200px) calc(992px*0.66), (min-width: 992px) 66vw, 100vw\" srcset=\"https:\/\/ds1.static.rtbf.be\/article\/image\/370xAuto\/f\/7\/d\/215da737505e6b0bf418a9788893f997-1488374366.jpg 370w,https:\/\/ds1.static.rtbf.be\/article\/image\/770xAuto\/f\/7\/d\/215da737505e6b0bf418a9788893f997-1488374366.jpg 770w,https:\/\/ds1.static.rtbf.be\/article\/image\/1248xAuto\/f\/7\/d\/215da737505e6b0bf418a9788893f997-1488374366.jpg 1248w\" alt=\"Le r\u00e9seau Madou\" data-sizes=\"(min-width: 1200px) calc(992px*0.66), (min-width: 992px) 66vw, 100vw\" data-srcset=\"https:\/\/ds1.static.rtbf.be\/article\/image\/370xAuto\/f\/7\/d\/215da737505e6b0bf418a9788893f997-1488374366.jpg 370w,https:\/\/ds1.static.rtbf.be\/article\/image\/770xAuto\/f\/7\/d\/215da737505e6b0bf418a9788893f997-1488374366.jpg 770w,https:\/\/ds1.static.rtbf.be\/article\/image\/1248xAuto\/f\/7\/d\/215da737505e6b0bf418a9788893f997-1488374366.jpg 1248w\" \/><i class=\"ico ico-circle ico-stack-2x www-media-enlarge__bg\"><\/i><i class=\"ico ico-expand ico-stack-1x ico-inverse www-media-enlarge__icon\"><\/i><\/a><figcaption class=\"www-media-caption\"><em><span class=\"www-media-caption__text\">Le r\u00e9seau Madou &#8211; \u00a9 Alain Goffin<\/span><\/em><\/figcaption><\/figure>\n<p>A la fin de cet album quelques pages dressent un paysage succinct mais int\u00e9ressant de ce que \u00a0\u00bb La Ligne Claire \u00a0\u00bb a apport\u00e9 au monde de la bande dessin\u00e9e.<\/p>\n<p>Et c\u2019est vrai qu\u2019on peut se poser la question de savoir si cette mani\u00e8re de cr\u00e9er en bd est toujours d\u2019actualit\u00e9, a toujours sa place dans l\u2019univers actuel du neuvi\u00e8me art, tellement vari\u00e9.<\/p>\n<p>Mais c\u2019est par et pour cette vari\u00e9t\u00e9 que l\u2019art cher \u00e0 Herg\u00e9 reste actuel, reste un m\u00e9dium capable encore et encore de raconter des histoires, qu\u2019elles soient accessibles \u00e0 tous ou r\u00e9serv\u00e9es aux adultes.<\/p>\n<p>C\u2019\u00e9tait d\u2019ailleurs, d\u00e9j\u00e0, le \u00a0\u00bb message \u00a0\u00bb de ce r\u00e9seau Madou, puisque un des \u00e9l\u00e9ments moteurs du r\u00e9cit se situe dans une bande dessin\u00e9e \u00e9dit\u00e9e en strip par un journal bruxellois. La bande dessin\u00e9e, dans la bd, en quelque sorte, mais montrant que la bd, qu\u2019elle qu\u2019en soit la forme finalement, est un vecteur de communication, pour utiliser un terme \u00e0 la mode aujourd&rsquo;hui, mais qui ne l\u2019\u00e9tait pas en 1982, et certainement pas non plus du temps des albums de Herg\u00e9 ou de Jacobs !<\/p>\n<h4 class=\"audio-player__title\">Alain Goffin: La Ligne Claire<\/h4>\n<audio class=\"wp-audio-shortcode\" id=\"audio-453-3\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/bd-chroniques.be\/wp-content\/uploads\/2017\/03\/m8u2B47tvV.mp3?_=3\" \/><a href=\"http:\/\/bd-chroniques.be\/wp-content\/uploads\/2017\/03\/m8u2B47tvV.mp3\">http:\/\/bd-chroniques.be\/wp-content\/uploads\/2017\/03\/m8u2B47tvV.mp3<\/a><\/audio>\n<h4 class=\"audio-player__title\">Fran\u00e7ois Rivi\u00e8re: la BD dans la BD&#8230;<\/h4>\n<audio class=\"wp-audio-shortcode\" id=\"audio-453-4\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/bd-chroniques.be\/wp-content\/uploads\/2017\/03\/CUuPAQIEbJ.mp3?_=4\" \/><a href=\"http:\/\/bd-chroniques.be\/wp-content\/uploads\/2017\/03\/CUuPAQIEbJ.mp3\">http:\/\/bd-chroniques.be\/wp-content\/uploads\/2017\/03\/CUuPAQIEbJ.mp3<\/a><\/audio>\n<div class=\"rtbf-article-main__audio\"><\/div>\n<div class=\"rtbf-article-main__audio\"><\/div>\n<\/div>\n<div class=\"rtbf-paragraph  clearfix\">\n<figure class=\"www-media custom_large www-media--last js-gallery-figure\"><a id=\"image-9036287\" class=\"www-media-fullscreen js-gallery-image\" href=\"https:\/\/i0.wp.com\/ds1.static.rtbf.be\/article\/image\/1240x800\/0\/1\/9\/5baf844f3b9cf7ba52ee39b926bcbc46-1488374440.jpg?ssl=1\" target=\"_blank\" data-id=\"9036287\"><img data-recalc-dims=\"1\" decoding=\"async\" class=\"img-responsive www-img-full   lazyloaded\" title=\"Le r\u00e9seau Madou\" src=\"https:\/\/i0.wp.com\/ds1.static.rtbf.be\/article\/image\/370xAuto\/0\/1\/9\/5baf844f3b9cf7ba52ee39b926bcbc46-1488374440.jpg?w=768&#038;ssl=1\" sizes=\"(min-width: 1200px) calc(992px*0.66), (min-width: 992px) 66vw, 100vw\" srcset=\"https:\/\/ds1.static.rtbf.be\/article\/image\/370xAuto\/0\/1\/9\/5baf844f3b9cf7ba52ee39b926bcbc46-1488374440.jpg 370w,https:\/\/ds1.static.rtbf.be\/article\/image\/770xAuto\/0\/1\/9\/5baf844f3b9cf7ba52ee39b926bcbc46-1488374440.jpg 770w,https:\/\/ds1.static.rtbf.be\/article\/image\/1248xAuto\/0\/1\/9\/5baf844f3b9cf7ba52ee39b926bcbc46-1488374440.jpg 1248w\" alt=\"Le r\u00e9seau Madou\" data-sizes=\"(min-width: 1200px) calc(992px*0.66), (min-width: 992px) 66vw, 100vw\" data-srcset=\"https:\/\/ds1.static.rtbf.be\/article\/image\/370xAuto\/0\/1\/9\/5baf844f3b9cf7ba52ee39b926bcbc46-1488374440.jpg 370w,https:\/\/ds1.static.rtbf.be\/article\/image\/770xAuto\/0\/1\/9\/5baf844f3b9cf7ba52ee39b926bcbc46-1488374440.jpg 770w,https:\/\/ds1.static.rtbf.be\/article\/image\/1248xAuto\/0\/1\/9\/5baf844f3b9cf7ba52ee39b926bcbc46-1488374440.jpg 1248w\" \/><\/a><figcaption class=\"www-media-caption\"><em><span class=\"www-media-caption__text\">Le r\u00e9seau Madou &#8211; \u00a9 Alain Goffin<\/span><\/em><\/figcaption><\/figure>\n<p>Cela dit, ce qui prime aussi chez tous les utilisateurs actuels de la ligne claire, c\u2019est une certaine forme de nostalgie. Nostalgie d\u2019une architecture, nostalgie de meubles et de d\u00e9cors int\u00e9rieurs, nostalgie d\u2019une ambiance infiniment plus lente que celle qu\u2019on conna\u00eet de nos jours, nostalgie de v\u00eatements, nostalgie de \u00a0\u00bb valeurs \u00ab\u00a0, au sens large du terme. Une nostalgie qu\u2019Alain Goffin revendique, totalement\u2026<\/p>\n<p><strong>Alain Goffin: la nostalgie<\/strong><\/p>\n<\/div>\n<audio class=\"wp-audio-shortcode\" id=\"audio-453-5\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/bd-chroniques.be\/wp-content\/uploads\/2017\/03\/XGELXYRCb7.mp3?_=5\" \/><a href=\"http:\/\/bd-chroniques.be\/wp-content\/uploads\/2017\/03\/XGELXYRCb7.mp3\">http:\/\/bd-chroniques.be\/wp-content\/uploads\/2017\/03\/XGELXYRCb7.mp3<\/a><\/audio>\n<p>&nbsp;<\/p>\n<div class=\"rtbf-paragraph  clearfix\">\n<figure class=\"www-media custom_large www-media--last js-gallery-figure\"><a id=\"image-9036288\" class=\"www-media-fullscreen js-gallery-image\" href=\"https:\/\/i0.wp.com\/ds1.static.rtbf.be\/article\/image\/1240x800\/f\/d\/e\/8d9c4ccdce6f05bbd9715e37620b0ee4-1488374512.jpg?ssl=1\" target=\"_blank\" data-id=\"9036288\"><img data-recalc-dims=\"1\" decoding=\"async\" class=\"img-responsive www-img-full   lazyloaded\" title=\"Le r\u00e9seau Madou\" src=\"https:\/\/i0.wp.com\/ds1.static.rtbf.be\/article\/image\/370xAuto\/f\/d\/e\/8d9c4ccdce6f05bbd9715e37620b0ee4-1488374512.jpg?w=768&#038;ssl=1\" sizes=\"(min-width: 1200px) calc(992px*0.66), (min-width: 992px) 66vw, 100vw\" srcset=\"https:\/\/ds1.static.rtbf.be\/article\/image\/370xAuto\/f\/d\/e\/8d9c4ccdce6f05bbd9715e37620b0ee4-1488374512.jpg 370w,https:\/\/ds1.static.rtbf.be\/article\/image\/770xAuto\/f\/d\/e\/8d9c4ccdce6f05bbd9715e37620b0ee4-1488374512.jpg 770w,https:\/\/ds1.static.rtbf.be\/article\/image\/1248xAuto\/f\/d\/e\/8d9c4ccdce6f05bbd9715e37620b0ee4-1488374512.jpg 1248w\" alt=\"Le r\u00e9seau Madou\" data-sizes=\"(min-width: 1200px) calc(992px*0.66), (min-width: 992px) 66vw, 100vw\" data-srcset=\"https:\/\/ds1.static.rtbf.be\/article\/image\/370xAuto\/f\/d\/e\/8d9c4ccdce6f05bbd9715e37620b0ee4-1488374512.jpg 370w,https:\/\/ds1.static.rtbf.be\/article\/image\/770xAuto\/f\/d\/e\/8d9c4ccdce6f05bbd9715e37620b0ee4-1488374512.jpg 770w,https:\/\/ds1.static.rtbf.be\/article\/image\/1248xAuto\/f\/d\/e\/8d9c4ccdce6f05bbd9715e37620b0ee4-1488374512.jpg 1248w\" \/><\/a><figcaption class=\"www-media-caption\"><em><span class=\"www-media-caption__text\">Le r\u00e9seau Madou &#8211; \u00a9 Alain Goffin<\/span><\/em><\/figcaption><\/figure>\n<p>Je pense que la r\u00e9\u00e9dition de cet album vient en son temps. Pour prouver que l\u2019essentiel, dans le neuvi\u00e8me art, reste et restera toujours le fait de raconter une histoire, et de le faire d\u2019une mani\u00e8re qui permette aux auteurs, le dessinateur comme le sc\u00e9nariste, de s\u2019exprimer totalement et librement.<\/p>\n<p>Ce qui vient \u00e0 son heure aussi, c\u2019est l\u2019exposition-vente organis\u00e9e \u00e0 l\u2019occasion de cette r\u00e9\u00e9dition par la Galerie Champaka \u00e0 Bruxelles, et qui permet \u00e0 la fois de d\u00e9couvrir tout le talent d\u2019Alain Goffin, mais aussi tout le travail qui a \u00e9t\u00e9 fourni, aujourd\u2019hui, pour actualiser un album qui, sinon, aurait sans doute paru tr\u00e8s dat\u00e9\u2026<\/p>\n<h4 class=\"audio-player__title\">Alain Goffin: l&rsquo;exposition<\/h4>\n<\/div>\n<audio class=\"wp-audio-shortcode\" id=\"audio-453-6\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/bd-chroniques.be\/wp-content\/uploads\/2017\/03\/1fUxK4O86L.mp3?_=6\" \/><a href=\"http:\/\/bd-chroniques.be\/wp-content\/uploads\/2017\/03\/1fUxK4O86L.mp3\">http:\/\/bd-chroniques.be\/wp-content\/uploads\/2017\/03\/1fUxK4O86L.mp3<\/a><\/audio>\n<p>&nbsp;<\/p>\n<div class=\"rtbf-paragraph  clearfix\">\n<figure class=\"www-media custom_large js-gallery-figure\"><a id=\"image-9036289\" class=\"www-media-fullscreen js-gallery-image\" href=\"https:\/\/i0.wp.com\/ds1.static.rtbf.be\/article\/image\/1240x800\/3\/2\/a\/4a1c38ef175fcd3c05fb0f516c94099f-1488374603.jpg?ssl=1\" target=\"_blank\" data-id=\"9036289\"><img data-recalc-dims=\"1\" decoding=\"async\" class=\"img-responsive www-img-full   lazyloaded\" title=\"le r\u00e9seau Madou\" src=\"https:\/\/i0.wp.com\/ds1.static.rtbf.be\/article\/image\/370xAuto\/3\/2\/a\/4a1c38ef175fcd3c05fb0f516c94099f-1488374603.jpg?w=768&#038;ssl=1\" sizes=\"(min-width: 1200px) calc(992px*0.66), (min-width: 992px) 66vw, 100vw\" srcset=\"https:\/\/ds1.static.rtbf.be\/article\/image\/370xAuto\/3\/2\/a\/4a1c38ef175fcd3c05fb0f516c94099f-1488374603.jpg 370w,https:\/\/ds1.static.rtbf.be\/article\/image\/770xAuto\/3\/2\/a\/4a1c38ef175fcd3c05fb0f516c94099f-1488374603.jpg 770w,https:\/\/ds1.static.rtbf.be\/article\/image\/1248xAuto\/3\/2\/a\/4a1c38ef175fcd3c05fb0f516c94099f-1488374603.jpg 1248w\" alt=\"le r\u00e9seau Madou\" data-sizes=\"(min-width: 1200px) calc(992px*0.66), (min-width: 992px) 66vw, 100vw\" data-srcset=\"https:\/\/ds1.static.rtbf.be\/article\/image\/370xAuto\/3\/2\/a\/4a1c38ef175fcd3c05fb0f516c94099f-1488374603.jpg 370w,https:\/\/ds1.static.rtbf.be\/article\/image\/770xAuto\/3\/2\/a\/4a1c38ef175fcd3c05fb0f516c94099f-1488374603.jpg 770w,https:\/\/ds1.static.rtbf.be\/article\/image\/1248xAuto\/3\/2\/a\/4a1c38ef175fcd3c05fb0f516c94099f-1488374603.jpg 1248w\" \/><i class=\"ico ico-circle ico-stack-2x www-media-enlarge__bg\"><\/i><i class=\"ico ico-expand ico-stack-1x ico-inverse www-media-enlarge__icon\"><\/i><\/a><figcaption class=\"www-media-caption\"><em><span class=\"www-media-caption__text\">le r\u00e9seau Madou &#8211; \u00a9 Alain Goffin<\/span><\/em><\/figcaption><\/figure>\n<figure class=\"www-media custom_large www-media--last js-gallery-figure\"><a id=\"image-9036290\" class=\"www-media-fullscreen js-gallery-image\" href=\"https:\/\/i0.wp.com\/ds1.static.rtbf.be\/article\/image\/1240x800\/b\/4\/6\/a634fc65ff863e6f25bf082c8bce94cc-1488374613.jpg?ssl=1\" target=\"_blank\" data-id=\"9036290\"><img data-recalc-dims=\"1\" decoding=\"async\" class=\"img-responsive www-img-full   lazyloaded\" title=\"Le R\u00e9seau Madou\" src=\"https:\/\/i0.wp.com\/ds1.static.rtbf.be\/article\/image\/370xAuto\/b\/4\/6\/a634fc65ff863e6f25bf082c8bce94cc-1488374613.jpg?w=768&#038;ssl=1\" sizes=\"(min-width: 1200px) calc(992px*0.66), (min-width: 992px) 66vw, 100vw\" srcset=\"https:\/\/ds1.static.rtbf.be\/article\/image\/370xAuto\/b\/4\/6\/a634fc65ff863e6f25bf082c8bce94cc-1488374613.jpg 370w,https:\/\/ds1.static.rtbf.be\/article\/image\/770xAuto\/b\/4\/6\/a634fc65ff863e6f25bf082c8bce94cc-1488374613.jpg 770w,https:\/\/ds1.static.rtbf.be\/article\/image\/1248xAuto\/b\/4\/6\/a634fc65ff863e6f25bf082c8bce94cc-1488374613.jpg 1248w\" alt=\"Le R\u00e9seau Madou\" data-sizes=\"(min-width: 1200px) calc(992px*0.66), (min-width: 992px) 66vw, 100vw\" data-srcset=\"https:\/\/ds1.static.rtbf.be\/article\/image\/370xAuto\/b\/4\/6\/a634fc65ff863e6f25bf082c8bce94cc-1488374613.jpg 370w,https:\/\/ds1.static.rtbf.be\/article\/image\/770xAuto\/b\/4\/6\/a634fc65ff863e6f25bf082c8bce94cc-1488374613.jpg 770w,https:\/\/ds1.static.rtbf.be\/article\/image\/1248xAuto\/b\/4\/6\/a634fc65ff863e6f25bf082c8bce94cc-1488374613.jpg 1248w\" \/><i class=\"ico ico-circle ico-stack-2x www-media-enlarge__bg\"><\/i><i class=\"ico ico-expand ico-stack-1x ico-inverse www-media-enlarge__icon\"><\/i><\/a><figcaption class=\"www-media-caption\"><em><span class=\"www-media-caption__text\">Le R\u00e9seau Madou &#8211; \u00a9 Alain Goffin<\/span><\/em><\/figcaption><\/figure>\n<p>Un livre une expo\u2026. Que demander de mieux pour rendre hommage \u00e0 La Ligne Claire ?&#8230;.<\/p>\n<p>Aux nostalgiques de la bd \u00e0 l\u2019ancienne, aux nostalgiques d\u2019un Bruxelles disparu o\u00f9 la Place Flagey n\u2019\u00e9tait pas encore un lieu \u00a0\u00bb branch\u00e9 \u00ab\u00a0, aux amateurs de bonnes histoires bien racont\u00e9e, \u00e0 tous ceux qui aiment le neuvi\u00e8me art sous toutes ses formes, ce livre et cette exposition ne pourront que plaire !<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Jacques Schra\u00fbwen<\/strong><\/p>\n<p><strong>Le R\u00e9seau Madou (dessin : Alain Goffin \u2013 sc\u00e9nario : Fran\u00e7ois Rivi\u00e8re \u2013 \u00e9diteur : Dargaud)<\/strong><\/p>\n<p><strong><a title=\"champaka\" href=\"http:\/\/www.galeriechampaka.com\/wp\/\" target=\"_blank\">Exposition \u00e0 la Galerie Champaka<\/a> \u2013 27, rue Ernest Allard \u2013 1000 Bruxelles \u2013 du 3 au 18 mars<\/strong><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Un livre de 1982 enti\u00e8rement \u00a0\u00bb reconstruit \u00ab\u00a0, aujourd&rsquo;hui, expos\u00e9 aux cimaises d\u2019une galerie bruxelloise (Champaka), et qui m\u00e9rite assur\u00e9ment qu\u2019on s\u2019y attarde ! Le r\u00e9seau Madou &#8211; \u00a9 Alain Goffin \u00a0\u00bb Le R\u00e9seau Madou \u00ab\u00a0, c\u2019est d\u2019abord et avant tout un hommage, litt\u00e9raire et graphique, \u00e0 la fameuse \u00a0\u00bb Ligne Claire \u00ab\u00a0, celle de [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":454,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[37,29],"tags":[],"class_list":["post-453","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-evenements","category-r"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/bd-chroniques.be\/wp-content\/uploads\/2017\/03\/17257e81a344982579af1ae6415a7b8c-1488374139.jpg?fit=1248%2C702&ssl=1","jetpack_shortlink":"https:\/\/wp.me\/p8dqsu-7j","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/bd-chroniques.be\/index.php\/wp-json\/wp\/v2\/posts\/453","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bd-chroniques.be\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bd-chroniques.be\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bd-chroniques.be\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bd-chroniques.be\/index.php\/wp-json\/wp\/v2\/comments?post=453"}],"version-history":[{"count":1,"href":"https:\/\/bd-chroniques.be\/index.php\/wp-json\/wp\/v2\/posts\/453\/revisions"}],"predecessor-version":[{"id":461,"href":"https:\/\/bd-chroniques.be\/index.php\/wp-json\/wp\/v2\/posts\/453\/revisions\/461"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bd-chroniques.be\/index.php\/wp-json\/wp\/v2\/media\/454"}],"wp:attachment":[{"href":"https:\/\/bd-chroniques.be\/index.php\/wp-json\/wp\/v2\/media?parent=453"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bd-chroniques.be\/index.php\/wp-json\/wp\/v2\/categories?post=453"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bd-chroniques.be\/index.php\/wp-json\/wp\/v2\/tags?post=453"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}