{"id":7618,"date":"2022-09-22T08:28:40","date_gmt":"2022-09-22T06:28:40","guid":{"rendered":"https:\/\/bd-chroniques.be\/?p=7618"},"modified":"2022-09-22T08:28:40","modified_gmt":"2022-09-22T06:28:40","slug":"64_page-23-le-noir-et-blanc","status":"publish","type":"post","link":"https:\/\/bd-chroniques.be\/index.php\/2022\/09\/22\/64_page-23-le-noir-et-blanc\/","title":{"rendered":"64_page\u00a0: #23 (le noir et blanc)"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Voil\u00e0 des ann\u00e9es que cette \u00ab\u00a0revue de r\u00e9cits graphiques\u00a0\u00bb a pris, \u00e0 sa mani\u00e8re, le relais des \u00ab\u00a0fanzines\u00a0\u00bb chers aux ann\u00e9es 70\u00a0! En nous offrant des jeunes auteurs, d\u2019une part, des articles de fond, \u00e9galement\u2026\u00a0 Et ce num\u00e9ro 23 ne manque vraiment pas d\u2019int\u00e9r\u00eat\u00a0! <\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"317\" src=\"https:\/\/i0.wp.com\/bd-chroniques.be\/wp-content\/uploads\/2022\/09\/642.jpg?resize=768%2C317&#038;ssl=1\" alt=\"\" class=\"wp-image-7620\" srcset=\"https:\/\/i0.wp.com\/bd-chroniques.be\/wp-content\/uploads\/2022\/09\/642.jpg?resize=1024%2C422&amp;ssl=1 1024w, https:\/\/i0.wp.com\/bd-chroniques.be\/wp-content\/uploads\/2022\/09\/642.jpg?resize=300%2C124&amp;ssl=1 300w, https:\/\/i0.wp.com\/bd-chroniques.be\/wp-content\/uploads\/2022\/09\/642.jpg?resize=768%2C317&amp;ssl=1 768w, https:\/\/i0.wp.com\/bd-chroniques.be\/wp-content\/uploads\/2022\/09\/642.jpg?w=1455&amp;ssl=1 1455w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><figcaption>COPYRIGHT jADRAQUE<\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Le th\u00e8me axial de ce num\u00e9ro 23 est l\u2019art du \u00ab&nbsp;noir et blanc&nbsp;\u00bb.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Celui de Chabout\u00e9, bien \u00e9videmment, l\u2019auteur actuel sans doute le plus extraordinairement dou\u00e9 dans cette mani\u00e8re graphique de nous rendre compte, en m\u00eame temps, d\u2019un univers r\u00e9el et des r\u00eaves qu\u2019il peut cr\u00e9er au-del\u00e0 des apparences.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Celui de Caniff, de Franquin, de Viv\u00e8s, de Tardi, aussi, avec un article qui nous fait (re)d\u00e9couvrir une histoire commenc\u00e9e et, malheureusement, jamais termin\u00e9e.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Celui de <a href=\"https:\/\/bd-chroniques.be\/index.php\/2019\/12\/29\/la-ville\/\" target=\"_blank\" rel=\"noreferrer noopener\">Frans Masereel<\/a>, \u00e9galement, dont on continue \u00e0 dire (de mani\u00e8re pas tr\u00e8s justifi\u00e9e, \u00e0 mon avis) qu\u2019il est sans doute le cr\u00e9ateur du roman graphique.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"347\" src=\"https:\/\/i0.wp.com\/bd-chroniques.be\/wp-content\/uploads\/2022\/09\/643.jpg?resize=768%2C347&#038;ssl=1\" alt=\"\" class=\"wp-image-7621\" srcset=\"https:\/\/i0.wp.com\/bd-chroniques.be\/wp-content\/uploads\/2022\/09\/643.jpg?resize=1024%2C463&amp;ssl=1 1024w, https:\/\/i0.wp.com\/bd-chroniques.be\/wp-content\/uploads\/2022\/09\/643.jpg?resize=300%2C136&amp;ssl=1 300w, https:\/\/i0.wp.com\/bd-chroniques.be\/wp-content\/uploads\/2022\/09\/643.jpg?resize=768%2C347&amp;ssl=1 768w, https:\/\/i0.wp.com\/bd-chroniques.be\/wp-content\/uploads\/2022\/09\/643.jpg?resize=1536%2C695&amp;ssl=1 1536w, https:\/\/i0.wp.com\/bd-chroniques.be\/wp-content\/uploads\/2022\/09\/643.jpg?w=2048&amp;ssl=1 2048w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><figcaption>copyright Limcela<\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Mais le noir et blanc, premi\u00e8re approche fondamentale de la cr\u00e9ation graphique, c\u2019est aussi, dans ce num\u00e9ro extr\u00eamement vari\u00e9, celui d\u2019auteurs dont on peut esp\u00e9rer qu\u2019ils se fassent les \u00ab&nbsp;grands&nbsp;\u00bb de tant\u00f4t ou de demain&nbsp;!<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Impossible de les citer tous\u2026 Mais sachez que la qualit\u00e9 premi\u00e8re de cette revue est la diversit\u00e9\u2026 Au travers d\u2019un th\u00e8me aussi vaste que le \u00ab&nbsp;noir et blanc&nbsp;\u00bb, l\u2019\u00e9diteur et son \u00e9quipe \u00e9ditoriale ont eu \u00e0 c\u0153ur de nous proposer un paysage qui laisse la place \u00e0 bien des styles diff\u00e9rents&nbsp;!<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Je vais quand m\u00eame citer ici quelques-uns de mes coups de c\u0153ur.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Emilie Pondeville cauchemarde avec un sens du d\u00e9coupage parfaitement assum\u00e9\u2026<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Guillaume Balance use de l\u2019absence de couleurs pour parler de ses failles\u2026<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">J\u2019aime assez l\u2019humour bruyant de Fran\u00e7ois Jadraque\u2026<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Walter Guissard nous parle du Covid et de ses masques improbables avec un trait sombre qui n\u2019est pas sans rappeler celui de Varenne\u2026<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">J\u2019aime assez l\u2019approche narrative de Trefilis et la tendresse noire de Limcela\u2026<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">J\u2019ai beaucoup aim\u00e9 l\u2019histoire de Sandrine Crabeels, usant du bleu et blanc avant d\u2019\u00e9clater en couleurs\u2026<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Comme dans chaque num\u00e9ro, ou presque, j\u2019ai souri \u00e0 l\u2019humour de la Cartoons Acad\u00e9mie\u2026<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"265\" src=\"https:\/\/i0.wp.com\/bd-chroniques.be\/wp-content\/uploads\/2022\/09\/644.jpg?resize=768%2C265&#038;ssl=1\" alt=\"\" class=\"wp-image-7622\" srcset=\"https:\/\/i0.wp.com\/bd-chroniques.be\/wp-content\/uploads\/2022\/09\/644.jpg?resize=1024%2C353&amp;ssl=1 1024w, https:\/\/i0.wp.com\/bd-chroniques.be\/wp-content\/uploads\/2022\/09\/644.jpg?resize=300%2C103&amp;ssl=1 300w, https:\/\/i0.wp.com\/bd-chroniques.be\/wp-content\/uploads\/2022\/09\/644.jpg?resize=768%2C264&amp;ssl=1 768w, https:\/\/i0.wp.com\/bd-chroniques.be\/wp-content\/uploads\/2022\/09\/644.jpg?resize=1536%2C529&amp;ssl=1 1536w, https:\/\/i0.wp.com\/bd-chroniques.be\/wp-content\/uploads\/2022\/09\/644.jpg?w=2048&amp;ssl=1 2048w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><figcaption>copyright Guissard<\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">En fait, chacun peut, dans une revue comme celle-ci, picorer \u00e0 son aise, selon ses propres go\u00fbts, tout en se baladant dans des univers qu\u2019habituellement il ne visite pas\u2026<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">C\u2019est la force d\u2019une telle d\u00e9marche \u00e9ditoriale&nbsp;! C\u2019est aussi un relais essentiel pour que la bande dessin\u00e9e puisse, toujours, r\u00e9v\u00e9ler des talents nouveaux, classiques ou ruant dans les brancards, des talents-passions \u00e0 respecter, envers et contre tout&nbsp;! Surtout contre les seules modes de la grande \u00e9dition&nbsp;!<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Jacques et Josiane Schra\u00fbwen<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><a href=\"http:\/\/www.64page.com\" target=\"_blank\" rel=\"noreferrer noopener\">64_page\u00a0: #23 <\/a>(deuxi\u00e8me semestre 2022)<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">P.S.\u00a0: Merci, infiniment, \u00e0 l\u2019\u00e9diteur d\u2019avoir d\u00e9di\u00e9 ce num\u00e9ro \u00e0 Josiane\u2026. L\u00e0 o\u00f9 elle est, si tant est que ce soit possible, je la sais sourire\u2026<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"353\" src=\"https:\/\/i0.wp.com\/bd-chroniques.be\/wp-content\/uploads\/2022\/09\/645.jpg?resize=768%2C353&#038;ssl=1\" alt=\"\" class=\"wp-image-7623\" srcset=\"https:\/\/i0.wp.com\/bd-chroniques.be\/wp-content\/uploads\/2022\/09\/645.jpg?resize=1024%2C471&amp;ssl=1 1024w, https:\/\/i0.wp.com\/bd-chroniques.be\/wp-content\/uploads\/2022\/09\/645.jpg?resize=300%2C138&amp;ssl=1 300w, https:\/\/i0.wp.com\/bd-chroniques.be\/wp-content\/uploads\/2022\/09\/645.jpg?resize=768%2C353&amp;ssl=1 768w, https:\/\/i0.wp.com\/bd-chroniques.be\/wp-content\/uploads\/2022\/09\/645.jpg?resize=1536%2C707&amp;ssl=1 1536w, https:\/\/i0.wp.com\/bd-chroniques.be\/wp-content\/uploads\/2022\/09\/645.jpg?w=2048&amp;ssl=1 2048w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><figcaption>copyright pondeville<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Voil\u00e0 des ann\u00e9es que cette \u00ab\u00a0revue de r\u00e9cits graphiques\u00a0\u00bb a pris, \u00e0 sa mani\u00e8re, le relais des \u00ab\u00a0fanzines\u00a0\u00bb chers aux ann\u00e9es 70\u00a0! En nous offrant des jeunes auteurs, d\u2019une part, des articles de fond, \u00e9galement\u2026\u00a0 Et ce num\u00e9ro 23 ne manque vraiment pas d\u2019int\u00e9r\u00eat\u00a0! Le th\u00e8me axial de ce num\u00e9ro 23 est l\u2019art du \u00ab&nbsp;noir [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":7619,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[3,7],"tags":[],"class_list":["post-7618","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bd-de-s-a-z","category-s"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/bd-chroniques.be\/wp-content\/uploads\/2022\/09\/641.jpg?fit=238%2C300&ssl=1","jetpack_shortlink":"https:\/\/wp.me\/p8dqsu-1YS","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/bd-chroniques.be\/index.php\/wp-json\/wp\/v2\/posts\/7618","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bd-chroniques.be\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bd-chroniques.be\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bd-chroniques.be\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bd-chroniques.be\/index.php\/wp-json\/wp\/v2\/comments?post=7618"}],"version-history":[{"count":1,"href":"https:\/\/bd-chroniques.be\/index.php\/wp-json\/wp\/v2\/posts\/7618\/revisions"}],"predecessor-version":[{"id":7624,"href":"https:\/\/bd-chroniques.be\/index.php\/wp-json\/wp\/v2\/posts\/7618\/revisions\/7624"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bd-chroniques.be\/index.php\/wp-json\/wp\/v2\/media\/7619"}],"wp:attachment":[{"href":"https:\/\/bd-chroniques.be\/index.php\/wp-json\/wp\/v2\/media?parent=7618"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bd-chroniques.be\/index.php\/wp-json\/wp\/v2\/categories?post=7618"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bd-chroniques.be\/index.php\/wp-json\/wp\/v2\/tags?post=7618"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}